Thursday, 26 June 2008

Bob Marley and The Wailers

Bob Marley and The Wailers   
Artist: Bob Marley and The Wailers

   Genre(s): 
Reggae
   Reggae
   



Discography:


Jamaica Joint Jump Digipak   
 Jamaica Joint Jump Digipak

   Year: 2003   
Tracks: 19


Greatest Hits At Studio One   
 Greatest Hits At Studio One

   Year: 2003   
Tracks: 18


Greatest Hits At 1 Studio   
 Greatest Hits At 1 Studio

   Year: 2003   
Tracks: 18


Natural Mystic   
 Natural Mystic

   Year: 2002   
Tracks: 16


Shakedown Marley Remixed   
 Shakedown Marley Remixed

   Year: 2001   
Tracks: 13


Jungle Dub   
 Jungle Dub

   Year: 2000   
Tracks: 24


Talkin' Blues [Remaster]   
 Talkin' Blues [Remaster]

   Year: 1991   
Tracks: 24


Rebel Music   
 Rebel Music

   Year: 1986   
Tracks: 10


Uprising   
 Uprising

   Year: 1980   
Tracks: 10


Survival   
 Survival

   Year: 1979   
Tracks: 10


Babylon by Bus [live]   
 Babylon by Bus [live]

   Year: 1978   
Tracks: 13


Exodus - Movement Of Jah People   
 Exodus - Movement Of Jah People

   Year: 1977   
Tracks: 10


Live!   
 Live!

   Year: 1975   
Tracks: 7


Natty Dread   
 Natty Dread

   Year: 1974   
Tracks: 9


Burnin'   
 Burnin'

   Year: 1973   
Tracks: 10


African Herbsman   
 African Herbsman

   Year: 1973   
Tracks: 16


Catch A Fire   
 Catch A Fire

   Year: 1971   
Tracks: 9


Soul Rebels   
 Soul Rebels

   Year: 1970   
Tracks: 12




 






Thursday, 19 June 2008

'Hottie' could heat up 'Napoleon' fans


First-time filmmaker Seth Packard's teen comedy premiering at L.A. Film Festival, writes Martin A. Grove. Full story.



See Also

Wednesday, 11 June 2008

Wednesday, 4 June 2008

Steve Winwood, Nine Lives

There’s some good news and some bad news about the new album from Steve Winwood. The sleek production, laid-back grooves, deep-vein bass lines, sinuous percussion, and instantly singable tunes that have hallmarked his output since Arc Of A Diver in 1980 are all in place here. That’s the good news. If you’d like to hear Winwood’s undoubted talent break sweat a little, then it’s also the bad news.

Since reaching the platinum lined destination of 1986’s Back In The High Life there’s a sense in which Winwood has become something of a musical sleepwalker, content to languidly wander around his AOR / MOR surroundings rather than stretch and flex his muscles.

Of course his voice remains his greatest asset, possessing the apparent contradiction of being ostensibly thin and slight yet able to cut to the soul with telling effect. It’s this aspect of his work that has often carried material which would otherwise be anonymous and trivial in the hands of another artist.

I’m Not Drowning, a stripped-back blues shouter, limbers up nicely; Eric Clapton’s cameo kicks up the dust on Dirty City; Raging Sea (the second of three titles with aquatic allusions) surges with infectious licks, whilst Fly has a winsome charm that’s hard to resist.

Yet too often there’s a sense in which the individual components fail to connect effectively with each other, separated in a cloying sheen of too-glossy production.

Perhaps the worst offender is Other Shore. A bedrock of bongos, supple interleaving guitar and bass, and a wash of keyboards sway prettily behind a lyric that speaks of being free and the exhilaration of life and love. At around three minutes a sax solo gets all smoochy but the backing remains conspicuously unmoved by its ardent overtures and advances. It should be moving but isn’t.

The trouble with all of this is the album as a whole is taken at the kind of velocity that makes the queue in the post office on pension day look positively racy. Whilst there’s nothing intrinsically wrong with this record one can’t help feel that like so many recent Winwood albums that it could have been so much better. Nice tunes, shame about the pace.